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命悬一枪
2025 0.0分 剧情片
<p>  乱世之中,土匪横行,一心搞钱的痞匪彭一男(张晋饰)与兄弟雷五(国义骞 饰)、麻明(宁桓宇 饰)结伴走江湖、讨生计。陌生女子庄月(程怡饰)见识过他们的拳脚和计谋后,以一根金条为酬,托三人上山劫亲,反向抢人!谁知在这穷凶极恶的匪窝中,彭一男苦寻多年未果的灭门仇人,竟也意外显露踪迹……新仇旧恨、家仇民愤一起算,真狠人彭一男闯匪窝,讨血债,爽除恶,杀到底!</p>
HD国语
命悬一枪(川话版)
2025 0.0分 剧情片
<p>  乱世之中,土匪横行,一心搞钱的痞匪彭一男(张晋饰)与兄弟雷五(国义骞 饰)、麻明(宁桓宇 饰)结伴走江湖、讨生计。陌生女子庄月(程怡饰)见识过他们的拳脚和计谋后,以一根金条为酬,托三人上山劫亲,反向抢人!谁知在这穷凶极恶的匪窝中,彭一男苦寻多年未果的灭门仇人,竟也意外显露踪迹……新仇旧恨、家仇民愤一起算,真狠人彭一男闯匪窝,讨血债,爽除恶,杀到底!</p>
HD国语
灯塔谋杀案
2025 0.0分 剧情片
<p>  为了逃离虐待她的前任,杰西租了一艘船带她穿越苏必利尔湖前往加拿大。当船沉没时,杰西被隐居的灯塔看守人救起。但当杰西恢复健康后,她意识到自己陷入了另一个陷阱。</p>
HD中字
篮中弃婴
2025 0.0分 剧情片
<p>  A baby in a basket is left on the steps of an isolated monastery on a Scottish island. The nuns take it in, planning to care for it until a storm passes. Soon though, strange and unexplain..
HD中字
最后的机器人
2023 0.0分 剧情片
<p>  在气候大战结束后,地球上可能只剩下一个人,她的名字叫埃娃。她和一个名叫亚瑟的机器人一起生活,亚瑟的工作是守护营地的边界。有一天,埃娃走出了营地的边界。当她返回时,输入了错误的密码。尽管机器人认识埃娃,但它还是不允许她进入营地。她被困在了一块狭小的土地上。</p>
HD中字
女儿的女儿
2024 0.0分 剧情片
<p>  耳顺之年活得悠然自得的金艾霞(张艾嘉 饰),突被通知在纽约做人工生殖的小女儿(刘奕儿 饰)车祸身亡。在处理后事、对成功胚胎的去留做出抉择的同时,她将面对当年出生即被送养的大女儿Emma(林嘉欣 饰)。做决定的时刻;她,抑或她们,会如何选择?</p>
正片

《拉莉萨》剧情介绍

影视大全提供影视作品拉莉萨高清全集在线观看的影视全集网,剧情片《拉莉萨》全集作品的导演是依莱姆·克里莫夫   ,由依莱姆·克里莫夫  Valentin Rasputin  Stefaniya Stanyuta  主演,拉莉萨在豆瓣的评分为0.0,本片由小编于2025-03-09 09:23更新,希望大家喜欢,可以把《拉莉萨》推荐给你朋友,本作品的地址为 https://kityuk.com/movie/index59624.html

《拉莉萨》简介:<p>  A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko&#39;s films, and her own voice is heard talking about her life and art.<br/>  Elem Klimov&#39;s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko&#39;s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko&#39;s premature death while filming her adaptation of Valentin Rasputin&#39;s novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko&#39;s work (Maya Bulgakova&#39;s pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa&#39;s most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko&#39;s You and I, Klimov dissolves between a series of personal photographs that encompass Larisa&#39;s entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov&#39;s Come and See, though by placing the scene first within Larisa&#39;s chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery&#39;s knife has cut.</p>

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